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General Forum » Funny Scenes | Trailer's | Planet | Peoples » Movie Trailers » Universal Soldier: Day of Reckoning (2012) Online (Universal Soldier: Day of Reckoning (2012) Online download)
Universal Soldier: Day of Reckoning (2012) Online
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Released: September 22, 2012
Runtime: 114 mins
Genres: Action Sci-Fi
Actors: Jean-Claude Van Damme Dolph Lundgren Scott Adkins Gene Kevin Hames Jr. Ross Rouillier Andrei Arlovski Austin Naulty Adam Sibley Glen Warner Robert Douthat Lori Eden Ken Massey Tyler Ethridge Club Dancer Susan Mansur

Universal Soldier: Day of Reckoning (John Hyams, 2012)
Having only become aware of John Hyams' work recently, I nevertheless quickly fell for his elegantly composed long takes and Carpenterian Steadicam tracks. The straight-to-DVD/VOD fare of Universal Soldier: Regeneration and Dragon Eyes was so accomplished that I could not help but wonder what Hyams could do with an actual theatrical release. Universal Soldier: Day of Reckoning released on VOD a month ahead of a 3D theatrical release, exceeds even the loftiest expectations of the director's potential. Filled with gorgeous shots, blunt choreography and a trove of cinematic references, Day of Reckoning takes a smaller focus (and budget) than Regeneration and delivers a vastly bigger film.

Hyams opens Day of Reckoning on a nightmare (perhaps literally), using full POV shots—complete with handheld walking and "blinks" à la the opening segment of Gaspar Noé's Enter the Void—to depict a father being woken in the dead of night by his young daughter complaining of "monsters" in the kitchen. The camera bobs through the house as the unseen man playfully searches empty rooms for beasts until he flips the kitchen light on and gets a crowbar to the head. The beating is swift and brutal, topped off by an execution of the man's wife and child by...franchise hero Luc Deveraux (Jean-Claude Van Damme, looking like Brando's Kurtz). It is a bewildering, horrific beginning, and one that gives an indication of just how far the director is willing to take the movie away from a pandering sop to JCVD's shrunken but vaguely resurgent fanbase.

The man through whom the viewer sees that first scene is John (Scott Adkins), who awakens from a coma nine months later capable of remembering only the night his life fell apart and the face of the man responsible. Driven to find answers and punish Devereaux, John begins piecing together clues to lead him to the universal soldier, who has been gathering a small army of other UniSols by breaking their programming. The deeper John ventures, however, the darker, madder, and more unlike any other action movie Day of Reckoning becomes.

Immediately apparent is Hyams' stylistic ambition. If Regeneration's aesthetic owed to Carpenter, Day of Reckoning expands the director's referential palette to an admitted influence of the aforementioned Noé, David Cronenberg, even David Lynch, who exerts the strongest influence on the film's dream logic and elliptical layering of clues. A scene that places John in a motel room with a French topless dancer (Mariah Bonner) who tells the amnesiac they know is each other is odd enough on its own, but Hyams turns the room into a Lynchian microcosm of noir deconstruction, with the room filling slowly with cigarette smoke and the dance of a red light across the wall a reminder of what district the pair are in. Even without the 3D effects, the walls of the room pop out against a void, isolating the set from the rest of the world as the man with a dark past he cannot remember and the sultry avatar of that past inhabit their own space of pure cinema.

This carries over to the action sequences, which employ long takes and taut choreography for maximum effect. A UniSol still under government command (Andrei Arlovski, who ironically played the enemy soldier in Regeneration) is sent to dispatch Devereaux's new right hand man, former nemesis Andrew Scott (Dolph Lundgren), and some other rogue UniSols vigorously enjoying the services of a brothel. The resulting firefight moves methodically from room to room, Arlovski taking rounds without flinching as he has to put multiple shots into each target to get him to stay down. When he reaches Scott's room, he enters a neon blue and pink box that illuminates Lundgren in a plastic sheen, emphasizing both his iconic (and much copied) figure and the artificiality of these real but programmed people. Scott gets the upper hand, naturally, and frees Arlovski of his own programming, which leads to a scene of the Russian MMA fighter getting into an extended car chase that morphs into full-on brawl in a sporting goods store. Such scenes are too muscular to be accurately called "fluid," but the execution is spatially logical in a way the plot deliberately isn't, not to mention thrilling in a ludicrous but plausibly grounded way.

Yet the action is also nightmarish, not merely for its situation within the surreal framework around it but in the tone Hyams sets for the violence. During Arlovski's tear through the brothel, prostitutes already suffering at the hands of their aggressive johns callously dispatched as obstacles between the controlled UniSol and his "jailbroken" brethren. Other touches, such as the death spasms of a downed UniSol and some shots of male nudity as another soldier makes a futile move for survival rather than the usual, approved modesty, highlight the suddenness and indignity of death. Likewise, the aforementioned car chase is exhilarating, but Adkins' furious realization of his super potential in a close-quarters brawl with Arlovski is horrifying, unleashing a savagery that leaves a spate of onlookers, including Bonner's tagalong dancer, stunned into silence. Even the brilliant climax, a tear through Deveraux's underground lair filmed in long takes mostly made to look like a single shot via some Rope-esque moves in and out of darkness, stresses the sheer waste of the carnage and the brutality of the killing. Nothing epitomizes Hyams' subversive view of the traditional action he replicates so well as the grimly hilarious and terrifying way in which Lundgren bloodily shouts, "That's the spirit, soldier!" in his duel with Adkins.

What makes these sprees all the more unsettling is that Day of Reckoning features the least amount of government involvement of the franchise. The controlling influence of the military-industrial complex is largely absent here, save for the occasional appearance of an FBI agent who cryptically suggests to Adkins that the state might still be monitoring the situation. But even if they are, Hyams' film bleakly depicts a history of violence as nearly impossible to overcome, and to call the UniSols who no longer answer to the military's commands "liberated" is hopelessly naïve considering how they instantly imprint upon Deveraux, heretofore the one super soldier capable of moral independence but corrupted by the power his new recruits invest in him.

The whole film thrums with fluorescent light, which seems to hover and burn in the vague shape of the bulbs that emit them rather than come from those bulbs. Occasionally, the screen whites out in epileptic flashing as the ambient soundtrack cuts to a deafening whine. The effect is slightly surreal, but the harsh glares reflect a world as spartan as the warriors set loose in it. The opening sequence, with its erratic POV movement, is distinct from the camera style of the remainder of the movie, yet one could see the entire film as set in the perspective of these soldiers. For them, the world is an empty glare, a confusing distraction that they push out of mind to maintain total focus on their destructive existences. This is the third (technically, fifth) sequel in a franchise about reanimated and cloned instruments of war, yet Day of Reckoning captures the grotesque finality of death and endless killing of its genre with a repulsive clarity most action films would not dare acknowledge.

Universal Soldier: Day of Reckoning
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Universal Soldier: Day of Reckoning

Official poster
Directed by John Hyams
Produced by Moshe Diamant
Craig Baumgarten
Written by John Hyams
Doug Magnuson
Jon Greenlagh
Starring Jean-Claude Van Damme
Scott Adkins
Dolph Lundgren
Kristopher Van Varenberg
Andrei Arlovski
Roy Jones, Jr.
Music by Michael Krassner
Cinematography Yaron Levy
Editing by John Hyams
Andrew Drazek
Distributed by Magnet Releasing (USA theatrical)
Sony Pictures Worldwide Acquisitions (USA all media)
Release date(s)

October 4, 2012

(theatrical in Russia)

October 25, 2012

(VOD)

November 30, 2012

(theatrical in U.S.)
Running time 114 minutes
Country United States
Language English
Budget $11,5 Million

Universal Soldier: Day of Reckoning is an American Action film starring Jean-Claude Van Damme, Scott Adkins, and Dolph Lundgren, directed by John Hyams.[1] A semi-sequel to Universal Soldier: Regeneration, it is the first in the series to be filmed in 3-D.[2]
Contents

1 Plot
2 Production
3 Cast
4 References
5 External links

Plot

John (Scott Adkins) awakens from a coma to discover his wife and daughter were slaughtered in a brutal home invasion. Haunted by images of the attack, he vows to kill the man responsible: Luc Deveraux (Jean-Claude Van Damme). While John tries to piece his reality back together, things get more complicated when he is pursued by a relentless UniSol named Magnus (Andrei Arlovski). Meanwhile, Deveraux and surviving UniSol Andrew Scott (Dolph Lundgren) are preparing to battle anarchy and build a new order ruled by Unisols without government oversight. They are weeding out the weak and constantly testing their strongest warriors in brutal, life-and-death combat. Luc has emerged operating the Unisol Church of Eventualism, taking in wayward Unisols whom the government has been secretly operating as remote-controlled sleeper agents. His mission is to liberate these Unisols from the implanted memories and the lies the government has inserted in them. As John gets closer to Deveraux and the rogue army of genetically enhanced warriors, he discovers more about himself and begins to call into question everything he believed to be true.
Production

In May 2010 it was announced that Van Damme and Lundgren would return for a fourth official installment. Universal Soldier: A New Dimension will be the first in the series to be filmed in 3-D. John Hyams will also return as director.[3] In April 2012 it was announced that the film was to be re-titled from Universal Soldier: A New Dimension to Universal Soldier: Day of Reckoning.

It debuts 25 October, 2012 on VOD, followed by a theatrical run starting 30 November, 2012.
Cast

Jean-Claude Van Damme as Luc Deveraux
Scott Adkins as John
Dolph Lundgren as Andrew Scott
Rus Blackwell as Agent Gorman
Mariah Bonner as Sarah
Kristopher Van Varenberg as Miles
Andrei Arlovski as Magnus
Audrey P. Scott as Emma
Roy Jones, Jr.

References

^ Bibbiani, William (2011-06-08). "BEHIND THE SCENES: 'Universal Soldier: A New Dimension'". CraveOnline. Retrieved 2012-10-26.
^ "Dolph Dishes on ‘Universal Soldier: A New Dimension’ | Bad Movie Nite.com | Bad Movie News and Reviews". Bad Movie Nite.com. 2011-06-30. Retrieved 2012-10-26.
^ "Universal Soldier IV Announced: Jean-Claude Van Damme and Dolph Lundgren in 3D". /Film.

External links

Universal Soldier: Day of Reckoning at the Internet Movie Database
Official website

[hide]

v
t
e

Universal Soldier series
Canon

Universal Soldier
Universal Soldier: Regeneration
Universal Soldier: Day of Reckoning

Retconned

Universal Soldier: The Return

Non-canon

Universal Soldier II: Brothers in Arms
Universal Soldier III: Unfinished Business

Video game

Universal Soldier Video Game

Character

Luc Deveraux





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